This body of work is a reflection of the urban landscape I live in. The constant destruction and reconstruction of the physical world has made seeing safety fences, cinder blocks, and rebar grids common place but always from the seat of a car. I rescale and change the perspective of these objects to reframe their context, turning a 1 ton construction wall into a brooch, an orange safety fence into a wall sculpture, a 40 foot rebar and concrete trestle into fine jewelry. Silver, copper, concrete and steel are implemented to create these intimate and detailed structures.

Construction sites fascinate me. I try to remember what once was there while also trying to guess what will come. The bright colors of the caution signs, sand bags and safety fences are put up to grab our attention, warn us of change. It’s hectic, slow, and messy. Once it is done, all that is left is the clean and perfect space, bending in with the rest of the environment. With this construction jewelry, I try to capture a small vignette to remember the temporary chaos before order sets back in.

The orange construction sandbags are used to hold down construction signs. Necessary, temporary, seen, then discarded. Their anthropomorphic forms draw me in every time I pass them by. Some bags seem to be holding on with what little sand is still inside, while others are left on the side of the road, still full, but holding down nothing.

Transforming the bags into copper allows me to see them in a more intimate way, they become stronger, more structural, permanent, but useless. These hollow bags are shells of what they represent, and rather than have a function they are focused on form.

I am always looking at fences, through fences, around and above them. I think about what they are blocking, protecting, separating, barricading and what it would look like if they weren’t there. In an effort to make them blend into the environment with an open weave of steel wire or make them stand out with a bright safety orange color so you don’t injure yourself, I look at their repetition, form, and placement.

In these drawings, I take them out of their original context and use them as forms to layer, stretch, manipulate color and scale to see what similarities and differences they each have.

Cinderblocks, something heavy and usually hidden, become the center of attention in these pieces. Recreating the cinder blocks in silver and presenting them as jewelry changes our perception and how we value the mundane. The forced perspective of the blocks make them appear bigger than they actually are, in the same way we value diamonds, bigger they appear.

Scribble brooches were created in response to watching my 3 year old twins play with crayons and seeing how the crayons made marks on the paper. As a new mother, I am intrigued at how the these kids are learning about the world and how to interact with it. As they are learning I wanted to find a way to remember these moments and carry them with me. The scribble brooches are a way for me to also play with color and make these actions more permanent. The use of anodized aluminum and sterling silver give the work permanence and importance.

In this series of works I am interested in exploring the relationship between the physical properties of resin and metal. I am interested in the plasticity of metal as it responds to the resin visually is in direct contrast to the actual properties of the materials. The rigidity of the metal also forces the resin to form around, bulging through and sometimes spilling over the forms to emphasis the contrasting materials. The push and pull of materials continues to interest me and push the properties of both materials to their limits.